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InkSpotter News

ISSN 1715-1015

Information and Support for Creative Writers

 Published by InkSpotter Publishing

Volume 3.07                July 2005

 

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In This Issue

Editorial

Bookmarks

Feature Article

Help Wanted

Paying Markets

Pen & Ink

Contests

Literary Lapse

Bragging Rights

Book Reviews

Interview

Online Resources

Write Advice

Letters to the Editor

 

Subscribe

 

Editorial

 

Meet Our Debutantes

So, here I am, behind schedule again. You must be used to this by now.

I had every intention of putting this issue out on time, but life has a funny way of making alternative arrangements.

On the bright side, I now have three freshly-minted columnists making their debuts this month. There were several qualified candidates, so whittling down my options to just three people wasn't easy. However, I feel sure you'll benefit from their insights.

They turned out to be an international crowd, quite by accident but happily so. Please give a warm welcome to Gail Kavanagh of Australia (Paying Markets), Christine Christiano of Canada (Contests), and Toddie Downs of the United States (Online Resources). I hope you'll take the time to offer them your feedback and support.

Now, since I've dispensed with the introductions, I'll let the rest of this issue speak for itself.

Betty Dobson, Publisher/Editor

 

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Bookmarks

 

Each issue, I use this space to share my personal writing-related successes from the past month. With any luck, I'll never run out of material.

The poem "The Last Time I Saw Lisa" is chosen for The Binnacle Ultra-Short 2005 Edition, featuring winners and selected entrants from the Second Annual Ultra-Short Competition.
New at Writing the Bottom Line (NOTE the new URL):
  • "The Top 10 Things Every Writer Needs"
The short story "Blue Skies" is picked up for publication by Jerry Jazz Musician. Look for my response to the Question of the Month--"What have you done lately to keep writing at the forefront of your life?"--in Write What You Know #30.
Recruited to edit Vicki Cameron's collection of short stories about her adventures in nature photography.

 

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Feature Article

Rewriting
by William Alan Rieser

Thank G-d I’m not part of the Tom Cruise genre. I don’t think he ever manages to get a take right the first time. In between screaming fits of couch-jumping on Oprah and Scientologist chemical wanderings through prescription anti-depressants and the latest babe willing to accept his meandering consciousness on the Today show, he grunts his way through a screenplay without much semblance of acting as I know it. Of course, he has an unlimited number of takes to use, financially backed by those who made him a star. All I have is the right woman and a little PC to express myself to the public.

Let’s see, what exactly do the actors have to worry about? Narrative? No, it isn’t used in cinema, only open or disguised dialogue which can be read on prompters. They don’t have to describe anything, not the scenes, the author’s intentions, or anything that contributes to the story being depicted. For that, they are given scenery, and either popped in through technical wizardry or actually transported to a site. I guess that leaves dialogue. Do the actors change what doesn’t work? Do they even have the right to suggest what isn’t working to the Director? An open question, probably dependent on popularity.

Who does the needed changes when something stinks? Scriptwriters, whole teams of them. Somebody originally thought an idea would work and is proven wrong when it comes time to put it all together. Emergency! All night sit-ins, where many, perhaps hundreds of brains try to discover why something is ruinous and what to replace it with.

All we have is ourselves, unless we have a personal editor on our payroll. For me, since I am an editor, I’ve got the procedure down fairly well. Is it an essay, short story, poem, novel or screenplay? Doesn’t matter. The rule applies to all. If it sucketh, kill it before another eye can glimpse it. Ah, but what constitutes a sucky bad piece of writing?

How often do you ask yourself that question?

The whole damned novel can belong to the manure heap. More than once I’ve chucked a lengthy piece, a hundred thousand words or more, into the trash bin. It’s all a matter of being honest with yourself. Do people really want to read this hogwash? Am I writing art or trying to pay the mortgage? Have I lowered myself to the point where money has replaced the beauty of language and the issues that need exposure? Was I wrong to develop this premise? Yeah, those are the kinds of questions that will get you back on track, or balanced on the rails if you’ve never been there.

So, do I kill the whole thing because some parts are not up to par? No, rewrite what seems bad to you. How do I know it’s bad if I haven’t been published before? Read what has been published. Compare what has been accepted to your efforts. What if I don’t like the things I see published? Take a chance. You’ll never get anywhere if you don’t test the waters. With luck, a good editor may contact you and say what’s wrong with your writing.

You can also join a literary society. Hopefully, you’ll land in one that doesn’t distribute praise everywhere and actually guides you to better techniques.

Is rewriting all about punctuation, spelling and grammar?

Yes, but it is also about choosing better words and organizing the text to be more logical.

Can you give some examples of that so I’ll understand it better?

OK.

The truck drove quickly by, loud enough to anger some ducks at the crossing.

I thought, “Gee that was inconsiderate. Should’ve slowed down.” 

"That really was inconsiderate.” Said Mary.

The truck drove quickly by, {No. Trucks don’t drive, people do.} loud enough to anger some ducks at the crossing. {Give a description to show how angry the ducks are.}

I thought, “Gee that was inconsiderate. Should’ve slowed down.” {No, internal dialogue loses the quotation marks and italicizes the words.}

“That really was inconsiderate.” Said Mary. {No, comma after inconsiderate, small “s.”  Also, replace the second inconsiderate with a word that isn’t repetitive.}

It might look better like this:

The truck, driven by a madman, quickly crashed by the pond pathway. The ducks at the crossing were so disturbed, they emitted howls of raucous quacking.

I thought, That was very inconsiderate. The driver should have respected the sign to slow down.

“That really was shameful,” admitted Mary.

Rewriting is basically that simple, though in more complex works, like a novel, one has to assure that every chapter is in and of itself a mini-short story, yet ends with a teaser that links to the next and future chapters to keep the reader hooked. There is also the matter of rising and falling development. In a short story, that occurs rather quickly. In a novel, it can take several chapters and leave the reader clutching at straws, the more intriguing the better.

What’s this bit about cliff hangers?

They can come anywhere, but tend to work best at the end of a short story as perfected by O. Henry. However, some novels are quite adventurous in that they take the long expected denouement and transfer it to something so bizarre that no one could have predicted it. The author risks reader displeasure by doing that, since everyone wants the hero to get the lady, or win, or outfox everybody. Still, if adequately supported, such a twist can enliven a declining manuscript where the action comes to a close.

What’s better, writing a screenplay directly, or a novel and then converting it?

The novel. Only there can you inscribe the necessary narrative to convey your exact intentions to the reader. The screenplay is limited to scenery and dialogue. Only by reading your novel can a future screenwriter know just how to depict the scenery and action sequences.

I’m writing a romance. How detailed should my love scenes be?

Look at the old movies. Did they show graphic sex? Never, they just suggested it before blacking out. So, too, the great novels of the last two centuries. It is only now that the publishing industry accepts pornographic material as legitimate. They even insist on it to help promote sales. This is a question only you can answer by asking, “How badly do I want to be published?” Personally, I will never lower myself that way unless the scene is so poignant and artistically beautiful, it will utterly fail without a concession to the emotions between two characters.

I try writing poems, but no matter how good the rhymes, people tell me the cadence isn’t right? What are they talking about?

Rhyming poetry is structured by precise mathematics, just like tempo in music, four beats to a measure, three, etc. Not only do you have to count the main pulses, but the ones in between, such as one e and uh two e and uh, ad infinitum. If you cannot understand the timing, try free verse before attempting rhyming again. Study other poets whom others rave about and see if you can spot the differences between their writing and yours. Eventually, you are bound to catch on. If not, learn a musical instrument. That will do it, believe me.

What about italicizing a long internalized dream sequence?

I don’t recommend it. The italics are best used to draw attention to short phrases. For a long section, it doesn’t work. One paragraph, yes. Two or more, no.

Should I always replace little do-nothing words with big glamorous ones?

Not if they aren’t natural to the logic of your story. Use elegant words in the situations where narrative description begs for better definitions to convey meaning to the reader, hardly ever in dialogue and never where simplicity says things well enough.

I guess we’re done, for now.

#

ABOUT THE AUTHOR: William Alan Rieser, B.A., M.A., has had careers in teaching, conducting, composing, performing music, umpiring, electronics, supervising and finally writing in his retirement. He is now a professional editor and has published 16 novels and hundreds of shorts and articles.

 

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Paying Markets

by Gail Kavanagh

Hello, and welcome to my first InkSpotter paying markets column. 

In future columns I hope to be able to cover a wide range of paying markets, and keep you up to date on publishing trends. My intention is to bring you real paying markets with no catches. I won't be putting in markets that turn out to be lotteries, with payment for only one or two items, according to the editor's whims, or markets that charge 'reading fees', offer editing services, accept only submissions from paying membership, or use any other dodgy scheme to avoid actually paying you. I will check the guidelines and websites to make sure everything is above board. This will also ensure that I don't pass on any 'dead links'. If a market has disappeared, or the site hasn't been updated for two years, it won't be posted here. 

Now, on to the first batch of paying markets. For many writers today, the bottom line is diversification. The Internet has made it possible to diversify into many areas, with writers becoming multi-taskers: maintaining websites and newsletters, submitting to content sites, offering editing services, and writing and selling e-books. More writers are seeing themselves as businesses, with fingers in every pie. For this first column, I’m going to look at the 'bread and butter' of the writing game – article markets with diverse readerships and payments and a variety of needs, from full features to fillers.

Cottage Magazine
Cottage Magazine
is a glossy bi-monthly produced in Canada, for readers who want solid information about living in the country. Contributors don't have to be Canadian – I live in Australia and have been published in Cottage Magazine. Articles should be appropriate to country life and leisure – ideas for sustainable living, alternative energy, as well as pursuits like canoeing, skiing and entertaining. Cottage Magazine has a number of columns open to contributors, for how to's, essays and advice. The guidelines at the website are informative and concise. Payment is 20 cents a word for columns, $200-$450 for features. Photos $15-$25. E-mail submissions accepted. Canadian spelling encouraged.
E-mail: editor@cottagemagazine.com
Address: 1080 Howe St. - Suite 900, Vancouver, BC V6Z 2T1

My Geek in the House
My Geek In The House
is an online magazine aimed at partners of computer and Internet geeks – although some contributors confess to being the geeks themselves! Freelance requirements: 350- to 600-word articles that are "fun to read, entertaining, yet informative." Payment is $10 per article. Has a number of departments. Full details at the website. E-mail submissions accepted.
E-mail: articles@mygeekinthehouse.com

Alive Now
Alive Now is a devotional market looking for articles on contemporary topics that impact on the life of faith. Check the editorial calendar and submit according to theme. Submit by postal mail to the address given below. The preferred length for articles is 250 to 500 words. Payment for articles is $35 or more.
Address: 1908 Grand Avenue, P.O. Box 340004, Nashville, TN 37203-0004
E-mail: AliveNow@upperroom.org

FNASR - First North American Serial Rights.

Before submitting your work to any publication, be sure to read their writers' guidelines.

 

Want links to paying Canadian markets?

 

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Pen & Ink 

William Rieser (a.k.a. Penumbra) joins yours truly (a.k.a. InkSpotter) to form the team "Pen & Ink." Each month, we'll feature poetry and prose from The Writers' Association's growing list of anthologies.

Monuments

by Sharon Phillips

 

Weary sundown

sinks below a jaded horizon;

misty tears from heaven fall.

 

Chilling tongues of vapour lap insidiously

about the feet of looming monuments;

growing darkness dims their human features.

 

Sentinels stand in silent testimony

to those whose souls were as trinkets

in the pockets of the gods.

Love in the Time of War

by Raul E. Jimenez

Honolulu was teeming with US soldiers on R&R from Vietnam. It was February 1970, and I had been conducting business in Hawaii for two days. New York was my home base. Before my departure from Long Island three days earlier, my wife and I had a nasty spat, and in the cab from the hotel to Honolulu International - I'd be leaving for Hong Kong in one hour - the torturous thoughts of a pending divorce and our kids' inevitable suffering were twisting down the pathways of my brain.

As I dropped my suitcase on the Customs belt, I noticed the spirited girl, one of six Pan Am stewardesses marching on to the operations office. She was blonde, pretty, freckled-faced, and her smile glowed like the gentle fire of a hearth. I wondered if she'd be part of the crew on my own flight, and as soon as I did, the pang of guilt hit me right between the eyes.

You're married you fool. You have no right.

The inspector's voice brought me back to reality. "Have a good trip, Mr. Acosta."

"Thank you."

I picked up my suitcase, walked to the ticket counter, and proceeded downstairs to the departure lounge to wait for my flight. I closed my eyes and my thoughts drifted to Teri and our children. The local Honolulu newspaper had mentioned a snowstorm in New York and for a brief moment the whistling wind of a blizzard cut through my body, making me shiver.

While they freeze back there, I'm out here enjoying paradise.

The voice of the gate agent brought me back to reality. "Pan Am announces the departure of Flight 811 to Hong Kong. We'd like to board those needing assistance first, and then the First Class passengers..."

As the voice droned on, I walked up to the small line. When my turn came, I handed my boarding pass to the agent and walked across the tarmac to the steel stairs. The white and blue of the Boeing 707, its silver engines like open-mouthed whale sharks, always impressed me.

I boarded through First Class and there she was, the girl from the Customs area, readying the galley, impeccably dressed, brightly pretty, a perfect flight attendant in the service of "The World's Most Experienced Airline." Her golden presence gladdened my spirits. Suddenly, I looked forward to the long trip, usually close to ten hours. Pan Am 811, a glamour flight in the middle of a still-romantic era, would launch me from tropical Oahu to exotic Hong Kong. I had my book, a novel by Fowles, to keep me company. The presence of this girl, I thought, will make the trip more bearable.

Book on my lap, I closed my eyes, and my thoughts wandered to my stay in Hong Kong. Would I finally climb to the top of fabulous Victoria Peak, take a walk on the quiet beach at Repulse Bay, or have dinner at the electrifying Floating Restaurants? I knew the crew would layover before continuing to Saigon to run R&R shuttles to Bangkok. Sometimes, in previous trips, I'd go out to dinner or shopping with crewmembers and I knew I'd be free to rest on my on my first day in Hong Kong. Perhaps I could...

My mind drifted back to Teri and the kids. I was a worrier, a good father. I had tried to be a good husband, but Teri and I were so far apart on so many things.

I opened my eyes and found the girl in the aisle next to me. Her teeth were perfect behind smiling lips and an understanding look was in her eyes. The nametag on her chest read Michelle Etienne. "I didn't mean to startle you," she said. Her voice was like Liszt's La Campanella, with a hint of British and a dash of French in it.

"You didn't. It's all right."

"Drink after takeoff, Mr. Acosta?"

The manifest, I thought, she had to have seen my name in the manifest.

I smiled in return. "Yes, please," I said. "Scotch on the rocks."

And four minutes later the four-engine jet roared down the runway towards the exotic Colony, lifting just in time over the emerald waters not far from Pearl Harbor, turning north over the sea, and giving those of us on the left side of the plane a ghostly look at Diamond Head through the puffy cumuli flying by the window. Once we had attained cruise altitude, the hissing noises from an open mike introduced the voice of the Captain, who made the obligatory announcement. "A strong jet stream has settled south, all the way between Hong Kong and just north of Honolulu. Our flight plan today will take us over Guam...uh...We expect strong headwinds, two hundred and fifty knots at times. It'll take us a little longer...ah...than our scheduled blocks times. It'll be about ten hours and forty minutes, total time. We hope you'll settle back, enjoy the flight, and let us know what we can do for you."

Well, the flight will be tedious, but this cute girl is here, so...

I was an instructor of engineering systems assigned to the dispatch offices that Pan Am still kept in many countries around a world that did not yet have satellite communications. I understood flight plans. Airline life was what I enjoyed best. My problems with Teri had exacerbated when I began travelling so often far away from New York. 

"You leave me alone with the kids," she would say, "and you go enjoy the sights all over the world."

I would try to reason. "It's what I do, Teri. I'm the breadwinner. This is what I went to college for, what I always wanted to do."

My eyes wandered to where the blonde stewardess might be. She was out of sight in the galley. I sat back and relaxed, closed my eyes once again.

"Mr. Acosta, your scotch?" 

Startled, I opened my eyes and sat up in my seat. She stood next to me, the smile a tranquilizer, an Alka-Seltzer for my marital headaches.

"Thank you." I smiled back, and placed my pipe in my mouth. 

She set a fancy glass engraved with Pan Am's world-and-wings on my armrest, stared at me for a second, and said, "I like your jacket. It's very sharp." I had kept it on.

"Why, thank you."

I was especially proud of my yellow jacket, an Abraham and Strauss creation Teri had bought me for Christmas. In it, I felt like a handsome leading man. With my bushy, black eyebrows and dark looks, people often mentioned I reminded them of a young Gregory Peck.

And you sparkle like champagne.

The lavish dinner lasted two hours: a variety of cheeses, caviar, hams, shrimp, followed by hot-sour soup, and a choice of roast beef or duck followed by deserts, coffee, and after-dinner drinks. It was too much, but so delightful, so conducive to feeling like a Shah of Iran. It was good to indulge occasionally.

Putting down my last Benedictine, I lay back satisfied, noticed the rest of the passengers - three men, two women - slept. I kept my reading light on, returned to Nicholas Urfe, Conchis, and the other characters of The Magus. Nicky, the protagonist, had women problems too.

A hiss on the PA system told me the captain was about to speak. "Ladies and gentlemen...uh...we're now passing the International Date Line. If you would like to adjust your watches to this side of the world, the time in Hong Kong is..."

Oh, Captain, please keep quiet.

The sun had long settled below the horizon. I no longer noticed the whooshing sounds of the fuselage straining against the air stream. I lay my book aside, placed my pipe on the ashtray, and let my body relax. My eyes felt heavy, about to close, when the girl's voice snapped me out of my reverie. 

"Mr. Acosta, would you like me to turn your reading light off?"

I immediately sat up to face her. "No, wait." I yanked my reading glasses off and laid them on the seat next to mine. She pursed her lips and the dimples on her cheeks grew cuter, deeper. I felt shaky, nervous, and wondered why. Could she read it in my demeanour?

"Yes?" she started to ask.

"Do you mind if I call you by your first name?" I pointed at her nametag.

She wrinkled her nose, and smiled. I had grown so used to Teri's sadness, her lack of spark. I had forgotten how exciting a pretty woman could be when she exudes brains and charm.

Michelle said, "No, I don't mind. By the way, I noticed your book."

"It's an excellent one. One of the best I've ever read. I can't put it down." I began relighting my pipe, trying to regain my calm. As my hand brought the cigarette lighter up, I asked, "Do you mind?"

Something about her distilled familiarity. Had I met her before? Was she another version of the Maiden? The Maiden had haunted me all my life, but she was a vision, not real. She had come to me when I was ten, in Cuba, when my parents took me sailing to the Fragoso sandbanks. I had always been sensitive, given to flights of fantasy, but the vision was something from a long time ago, from a moment before sunrise. As the Maiden - a beauty whose blonde hair fell gently to her shoulders - rose from the sea the sky turned purple and notes of intense violin music emanated from the clouds and the sea. The precious girl looked virginal in a long, white robe that shone with the energy of a star. She said, "One day I'll return to you. Wait for me." Then the sky returned to blue, and the sun was higher up in the sky. Later that morning, I told my parents about what I'd seen, but they were dismissive. My father laughed and said, "Just your imagination. You were dreaming." I protested, but they wouldn't listen.

Don't be an idiot. Visions are just that.

"Not at all; I like the smell." She was still standing, not giving any signs of pressing obligations. "By the way," she added. "I saw the movie, The Magus. I didn't understand it." Her left hand smoothed a strand of hair behind her ear.

"That's because they cut it short, before the real ending in the book occurs. Anthony Quinn, Michael Caine, and Candice Bergen were fine, but the movie fails to catch the essence of the book." I raised my eyebrow in disgust.

I knew I was being vain, a typical pompous male. I was married. I had no right...

Why can't women be the ones impressing us? I asked myself. Of course, I was forgetting that women did just that. All the time.

Her eyes seemed begging. "May I browse through it?"

"Sure. Look, the other passengers are sleeping. Would you sit down and chat?"

I moved to the window seat, and she slid her body into the one I vacated. When she sat, the grey leather sighed with a swishing sound. The semi-darkness in the cabin contributed to a feeling of intimacy. She pulled her skirt forward to cover her knees, and her perfume filled my nostrils. She looked intently into my eyes and asked, "What will you be doing in Hong Kong?"

"Business; got to do some teaching. I'll be there until the end of the week."

"We're going on to Saigon day after tomorrow. We'll run the R&R shuttle to Bangkok for a couple of days. I've never been to either place."

I felt mesmerized. Now she sounded like Leslie Caron in Gigi, her accent a combination of British punctiliousness and French enchantment.

"I've flown south from Hong Kong to Singapore," I said, still trying to impress her with my worldliness. "A year ago we flew sixty miles off the coast of Vietnam on the way south. It was in my last trip out here, three months ago. We could see the mushrooms of smoke coming up through the clouds in the distance, just before sunset."

She frowned, and her nose wrinkled delightfully. "May I look through your book?" she asked again.

I leaned over and handed it to her, a purple cover trapping six hundred pages. Frowning, she began scanning through the pages. I noticed that the skin of her hand was almost transparent, the long fingernails done in a pink that soothed instead of threatened.

"Mr. Acosta, what made you pick up this book?"

"Call me Rafael. I work for the airline, just as you do. I'm an avid reader. I've read the New York Times critic's opinion and the minute I read the first paragraph I was hooked."

"All right."

She extended her hand, and I shook it. I noticed her delicate eyebrows and wanted to touch them. I refrained.

"I live in New York. Where are you based?"

"Los Angeles. I live in Hermosa Beach."

I thanked my stars for having the book with me. Without it, we might not have had the conversation.

"That's one of those coastal cities, right? Next to Manhattan Beach?"

"Just north of it."

She rose once during the conversation, and brought coffee for both of us. We chatted for over an hour. She loved poetry, and her favourite book was The Little Prince. She loved Gershwin music, and her favourite song was "Stardust". Her favourite movie was A Place in the Sun. She had gone to school in England, but her mother lived in Paris. Her father had died two years earlier. When she described things and events, her hands drew circles in the air and her eyes were like scintillating, blue stars.

She told me about her ambitions. "One day, in three years, I'll go back to school. I want to be a surgeon. Flying is fun, but I know it'll eventually wear me out. We work like dogs, you know."

"I admire you for that."

I more than admired her; I felt privileged that she seemed to like me.

A bell rang in the cabin, and the other flight attendant, a tall brunette, the senior purser, appeared out of the darkness and spoke to her. "Michelle, we have to make the preparations for the final phase. We have to help the girls in Economy Class."

Michelle started to rise, and I stopped her by holding on to her hand. "Perhaps tomorrow we can have breakfast at the Peninsula?"

She nodded before hurrying off. "What time?"

"How about nine-thirty? We can tour Hong Kong. I have the day off tomorrow."

"It's a date," she said. "I'll be at the Hyatt, by the Ocean Terminal."

"I'm staying at the Park. Not as fancy, but we get a great deal there, eleven dollars and fifty cents a night."

She laughed and disappeared past the curtain into Economy Class.

Once in Hong Kong, after Customs, among the diesel smells of buses and taxis, I hailed a cab. "Park Hotel, Kowloon side," I said to the driver. He nodded, mumbled something, placed his white-gloved hands on the steering wheel and took off. That night, I hardly slept, spent the night listening to a local radio station that played the songs of Cat Stevens, Ricky Nelson, and Dean Martin.

By nine-twenty, the morning misty and slightly cool, I waited by the fountain outside the Peninsula.

"Good morning," she greeted me. "Did you sleep well?"

Chinese porters in uniform chatted and pointed at the Rolls Royce parked by the main entrance, the sound of their voices alien but graceful, probably thousands of years old. And I thought that her smile was like an infusion of energy, a morning glass of orange juice right after waking up from the fog of jet lag. She was dressed in a shiny, long outfit - very much something of the times - that fell like a lavender veil to below her knees. She wore a flowery, matching scarf over her shoulders. Her look, I decided, was Paris high couture, and I remember saying to myself that I knew nothing of such things.

"Not really. I don't do well with the time zone changes, but here you are and I already feel better."

We were inside. A solicitous maitre d' who spoke fastidious English showed us to our table, and we were seated by the tall windows overlooking the busy street that ran by the side of the railroad tracks.

"I like your sideburns," she said out of nowhere, smiling.

Was she mocking me? I glanced at her more intently, trying to read her face, but she didn't seem to be one for secret agendas. I was still trying to figure out what to say when our waiter materialized next to us, and we ordered. He bowed, and retired.

I grew bold. "I like your freckles."

She furrowed her nose, like a cute Disney chipmunk from one of those Chip and Dale cartoons. "Come on, let's have breakfast," she said. "I'm starving."

We had orange juice that didn't taste of Florida, poached eggs, muffins, and coffee that didn't taste American. The charming English ambiance of the hotel - stuffy waiters in full, black and white uniforms, tall marble columns, huge varnished doors, and sunken breakfast area - framed the moment, gave us a glimpse at the marvels we would share in the day ahead.

First, we sailed on the Star Ferry to Hong Kong Island, held hands and watched the junks passing by in the sunlight. The dark blue sea and the sky contrasted with the green of Victoria Peak and the white skyscrapers Hong Kong side. The breezy morning dotted the sea with white caps, and I felt giddy, relieved of responsibilities, happy to be alive.

We made it to the postcard places: Victoria Peak, Repulse Bay, and the Floating Restaurants. By late afternoon, we shopped in the China Fleet Store, and as the sun was beginning to set we stopped by the Mandarin and ordered drinks. We toasted each other. Without embarrassment, our eyes met. She held mine, and I held hers, and I knew then I would never forget the moment.

Dinner was at the Eagles' Nest where Matt Monro entertained us with his velvety renditions of "Born Free", "Softly as I Leave You" and fifteen others. We slow danced, held hands, fed each other, sipped wine, and gazed into each other's souls, all ills and disappointments far away on another planet. The world was smiling again.

At midnight, again Kowloon side, we strolled along the rail of the Ocean Terminal's open deck and watched the scintillating harbour. "Look," Michelle said. "Look at that huge ship." The American aircraft carrier Intrepid stood there, majestic, lit up like a menacing Christmas tree, ribbons of multi-coloured lights illuminating the sleek silhouettes of the F-4 Phantoms.

"I read in the paper it's paying a visit. It wasn't there when we went across this morning."

In the fresh breeze, under a million bright lights, mesmerized by the smells and the sounds of an oceanic Shangri La, she came into my arms. The kiss happened as a wave rolls gently on a sandy beach. A passing junk blew its horn at us. The light show of the skyline reflected on the sea like submarine stars. We kissed again, this time harder, more passionately. I whispered, "Tonight...I don't want us to part."

"Rafael, I have to get up at five."

"I can't bear the thought of not having you in my arms all night," I insisted.

"I'd like that, but...I'll be lucky to get three hours of sleep." She looked at her watch. "It's one a.m., and you still have to walk me to the Hyatt."

My face turned sad, in the kind of expression I made for my mother as a child when I wanted to get my way.

"Rafael, don't be upset. I have to fly to Saigon in the morning. I have to be up at six."

"I have this feeling I might never see you again."

"We will, I promise. Look, if we spend tonight together I know we won't sleep. I won't get to a hotel until tomorrow night. We'll fly from Saigon to Bangkok and back. The crew layover is in Saigon, tomorrow night."

"I understand."

But I couldn't help it, I felt betrayed and yet wondered why. She reached for my face and caressed it; I felt goose bumps racing through my body. "Oh, Rafael, I'm sorry. Please don't be angry. I think I love you a little already."

"So do I. I told you the story of the Maiden over dinner. I don't want to lose you."

I knew I was being childish.

"I'll be your girl from the sea." She paused and shivered. I threw my jacket over her shoulders. "We should be getting back to Honolulu on Saturday, late morning. We'll be Flight 812, and you mentioned you'd be there this weekend."

I half-joked, "Maybe you are the Maiden of the Sunrise."

"Rafael, wait until Honolulu?"

Another junk passed near the pier, its engine chugging and turning, a little smoke escaping from an old stack on top of the main cabin.

"Okay." My voice gained excitement again. "Have you ever driven around the island?"

"No. Will you take me?"

"I'll rent a small apartment in Kailua. I have friends who live there. It'll be grand. It's a pretty beach, horseshoe shaped. You'll love it."

I was holding her by the waist again.

"Oh, Rafael, that sounds wonderful. I can't wait."

The lights on the Intrepid blinked, as if a momentary power outage had occurred. It lasted less than a second, but we saw it. "The ship is signalling at us," I joked.

"It's an omen," she said, and she kissed my cheek.

"Maybe it's blessing our plans."

We walked in silence back to the Hyatt. Outside her room, we kissed one last time. She smiled and closed the door behind her, very slowly. She said, "See you in Honolulu on Saturday afternoon. Will you wait at the airport?"

"I'll be waiting."

Anticipating Michelle's arrival, I rented a small cottage on Kailua Beach, the small city north of the Pali Lookout. I made plans in my head: A drive around the island, Makaha and Waimea, the north shore, and then a visit to the pineapple fields, a cold refreshing drink near Schofield Barracks. Above all, we'd make love constantly, with our souls and our bodies.

Perhaps she's the Maiden of the Sunrise. Perhaps it wasn't just a dream.

I smiled at my fantastic dreams. On Saturday, late morning, I anxiously drove to Honolulu International in my rented, light blue, '69 Toyota Corona and waited on the upper deck above Pan Am's arrivals area.

I am lucky after all; the beach, the breeze, and Michelle will be here soon.

The strong easterly breeze bent the palm and coconut tree fronds under its force. A smell of gardenias, sugar cane, and pineapple scented the air.

In two days I fly back to the winter...

I shook my head to dismiss New York, replaced the thought with a time to live and a time to die. I concluded it was a time to live.

My anxiety grew as every passenger and crewmember disembarked - no sign of Michelle. I ran to the Immigration area and stood outside until everyone had trickled out. Stopping a short Oriental stewardess, I breathlessly questioned her. "Is Michelle Etienne in your group?"

She must have sensed my anxiety, for she briefed me even though she was breaking the rules. "No, but we only got this flight last minute. They reassigned us and the original crew is still in Hong Kong waiting for their reassignment. They needed an extra day of rest."

I knew such things happened, that aircraft and crews were as chess pieces, pushed this way or that at the whim of the Operations Control Center in JFK. Damn it all, I thought. I ran along the open aisles to the Dispatch Office where I knew my friend Pat Mederos worked the Swing Shift.

In an office littered with reams of yellow teletype paper, flight plans, and maps, two dispatchers and several assistants in Aloha shirts and sandals laboured over their well-rehearsed routines. The place smelled of the ozone released by the Ozalid machine. Over the noise of a nearby, fifty-word-per-minute teletype, I asked Pat, "I met this girl, Michelle Etienne, on the way to Hong Kong. When's she coming back to Honolulu? I expected her on the 812 tonight. Have they rerouted the crew? Where are they going next?"

"Goodness, Rafael. Aren't you even going to say hi? We haven't seen you around here in a couple of months. Glad to see you."

My friend was tall, about six-seven, dark, originally from the Seattle area. He'd grown up Hawaiian, married one of the local girls. I had been to his house for dinner several times during my previous visits.

"Sorry, Pat. I don't know what's happened. I'm really looking forward to being with this girl again, but she didn't make it."

He seemed ready to laugh. "Rafael, this is an airline. You should know that. We move those people here and there for the airline's needs. Sometimes things don't work out."

"What's happened to that crew? Please look it up."

He raised an eyebrow. "I thought you were married. Another girl now?"

"Pat, it's a long story. Please look at the crew movements list. When's she coming here?"

The teletype noise hurt my ears. I felt the first pangs of a headache. I covered my ears with my hands.

"Are you all right?"

"Just a little nervous; I need to relax."

"Rafael, wait by the coffee and I'll be right back. You seem troubled. Come on, it's only a girl from a crew. Airline girls are used to this. All airline people are used to these changes, and you know that."

"Not her," I answered. But I did go into the break room, and grabbed a Coke from the vending machine.

He returned, and his face had turned pale. "I found something, Rafael."

"Yes, yes, will she be here by tomorrow?" I stepped outside again. The teletype noise was maddening: Clickity - clackity - clickity - clackity.

I moved back into the break room. He followed me in.

He raised his voice. "Sit down, will ya? Rafael, have you known her a long time?"

"Pat, where is she?"

Johnny Ho, the other dispatcher, was standing behind Pat, his worried eyes fixed on me.

"There was an accident. A bomb in the streets of Saigon near the crew hotel...The whole crew was rerouted."

"You're kidding, right?"

He held me by the shoulders. I felt a dry heave. I heard his voice, but I knew this was all a dream and I wasn't there, and he wasn't there either. "She was killed, Rafael. The explosion killed her. I'm so sorry. The airline is trying to determine where to send the body. Her mother's in Paris. The rest of the crew escaped with only minor injuries."

I stepped to the side, tried to reach a trashcan. I threw up before I could reach it.

I returned to New York three days later, but not before visiting each place in Oahu I had planned to show Michelle before leaving the island. On Tuesday, I flew to Los Angeles, and caught American Airlines to New York. On Tuesday night I drove home in a snowstorm and on Thursday I returned to my regular office work. Ten days I had been gone, and the world had turned surreal. I remembered my son wanted me to take him to a kiddie's basketball game, and my daughter had a Girl Scout square dance that I had promised to take her to as soon as I returned from my trip.

All over the United States, war protesters raised their signs in anger. The country grew divided.

Each night, for the rest of my life, after watching the late news and falling asleep, I dreamt of a wondrous day by Hong Kong Harbour. Michelle, I decided, was the Maiden, and one day, when I least expected it, she'd be back again. I knew it couldn't be any other way.

Souvenirs

by Sharon Phillips

 

'Made in China'

Massachusetts trinkets

hold no allure

instead,

 

the constant voice of the sea

beckoning in dreams

gulls laughing, bobbing

upon sea-salt swells

 

gathered baubles

frosted viridian glass

tiny, swirling, amethyst shells

pearlescent, golden slivers

offered upon frothy waves

 

my daughters, enchanted,

limbs lifted

in joyful abandon

toes delighting

in saturated sand

trailing tresses whipped wildly

by wind, unhindered

across aqua expanses

 

carefree mirth

of hearts unburdened, free

in the presence

of the endless Sea

these, my souvenirs

zoom_82603.jpg (35641 bytes)

Interruptions

by Sharon Phillips

 

Ringing

Insistent intonations

Adrenaline

Rushing, rising

Scrambling

Striving to reach

Telephone

Angry, slamming

Salesman!

 

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Contests 

by Christine Cristiano

Writing contests have been around for ages and are an excellent way to keep your creative juices flowing. For every writer, skill level, category, and genre there is a suitable writing contest to enter. There are varied reasons why writers enter contests (in no particular order):

  • the thrill of competition

  • validation that their writing can make the cut

  • desire to have their work recognized and/or showcased

  • desire to win awards, cash, prizes, and incentives

  • obsessed with writing regardless of the venue

As a freelance contest co-ordinator and judge, I have read many contest entries that support each of these points. One common mistake many contestants make is underestimating their competition and not submitting their best work. Some of the best entries I’ve been privileged to read all have one common denominator – readability. The writing is clear, entertaining, and the readability is at an optimal level. An optimal readability level is apparent when the writing is audience appropriate – balanced writing that is not too difficult or too easy to comprehend. A good piece has writing that is enticing and vibrant but definitely not flashy. Nothing is a bigger turn-off to a reader than a piece that is splattered with words that are so difficult that the reader has to keep the dictionary close by. Likewise, a piece that talks down to the reader can be just as frustrating.

As a judge, I am required to read entries on a variety of topics regardless of my personal preferences, and I am to do it objectively. Although I am not a big sci-fi fan, I have read some great entries that kept me engrossed and thoroughly enjoyed reading. This is a sign of a great entry – you can convert the judge to enjoy your entry even if it isn’t their genre of choice.

Before submitting your entry to a contest, ensure your work is entertaining, audience appropriate, and your very best effort.

Book Review Writing Contest

Theme: Open    

Category: Book Review of a fiction or non-fiction book that was published in 2003, 2004 or 2005

Entry Fee: $10 (US)

Prizes: Grand Prize = $100 + Year Subscription to Writer's Digest, Copy of the 2006 Writers Market Book, Media Database; four First-Place winners will receive a Database of Media Contacts

Deadline: August 31, 2005 postmark deadline

 

Bards and Sages 2005 Contest

Theme: Fantasy, sci-fi, horror.

Category: Poetry/flash fiction/short story/novella

Entry Fee: $2 (poetry/flash fiction) $5 (short story/novella)

Prizes: Awarded in each category. 1st place ($50), 2nd place ($25), 3rd place ($10). Plus all winning entries will be published

Deadline: August 1, 2005

 

Love Poems and Quotes Poetry Contest

Theme: Love poems and quotes. Positive, romantic and easy to understand. No lost love, break ups, depression, regrets, impossible love, negative, bitter, cynical or bitter poems.

Category: Poetry

Prizes: Publication on website and newsletter.

Entry Fee: Free. Only one entry per writer per month.

Deadline: Ongoing

What's it all worth? Check out The Universal Currency Converter.

 

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Literary Lapse

 

Literary Lapse (126 members) is a prompt-based mailing list. Members receive weekly writing prompts and are encouraged to share their work with the rest of the list and give each other feedback.

Once a month, I select my favourite story, essay or poem for publication and pay the winner $5 (US funds).

The Prompt

Find a new way to tell a knock-knock joke. If you're feeling really adventurous, make the joke part of something bigger.

The Winner

Congratulations to Krys Douglas for her super short, super smart tale "Knock, Knock." 

Knock, Knock

by Krys Douglas

She stood on the doorstep, ignoring the sidelong looks of passers-by. Over the years, she'd received the whole range of reactions. The robes were part of the problem; no one wore them anymore. They were comfortable, however; with as much travelling as she did, comfort was the first consideration.

No, she thought, not for the first time, it's really the hair that puts people off. Always falling in my face like, like that actress...oh, what was her name? Lake. That's it - Veronica Lake. Of, course she had a full head of hair, not just in the front, like me. I could wear a wig. No, that really isn't practical.

Opportunity squared her shoulders and raised her hand to knock on the door before her. Time to see how alert these people were.

 

Author's Note: During the Renaissance, Opportunity was drawn having only a single long lock of hair growing from the front of her head, so one could seize her as she approached, but not after she passed by.

 

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Bragging Rights

 

This is the space where subscribers get to do a little bragging about their own writing successes. Don't be shy. We want to hear from you.

I'm happy to report I've fulfilled one of my goals for the year by becoming a weekly columnist for the new publishing website Bookpitch.com. I write a column of news and reviews from small, independent and university presses. It's been a lot of fun and I'm getting a great response, as well as learning a lot about the publishing world.

If any of your readers are working for great independent presses, or know of great independent or university presses that need some publicity, they are welcome to contact me.

Sarah E. White

C. Hope Clark published "What's In Your Promo Kit?" in the July issue of ByLine Magazine, and just received word her essay was selected for the Military Edition of God Allows U Turns which will be on bookshelves in September 2005. Hope is the editor of FundsforWriters.com and author of The Shy Writer

Australian author Cheryl Wright is one of the contributors to Cancer: A Personal Challenge - an anthology that was released [in June]. Cheryl's essay 'How Do I Live Without You?' is the story of her father's death from cancer five years ago, and the affects it had on her family.

ALL profits from sales of the book from Cheryl's websites will go directly to the Anti-Cancer Council of Victoria (Australia). Visit Cheryl's website for full details.

Carolyn Howard-Johnson just signed with Finishing Line Press to publish her first chapbook of poetry, Tracings. It will be released this fall; the press will take pre-orders this summer. The poems will strike chords - both major and minor - with women of all ages.

The Frugal Book Promoter continues to be a #1 E-book seller at Star Publish and the paperback is hot at Amazon.com. A combination of professional and practical promotion advice for authors at all stages of their writing careers, this book can help you put together a package that will help sell your book to agents and publishers and keep it selling to readers once it's published.

Carolyn has been invited to talk about the magic of promotion at Dayton University's Erma Bombeck Workshop on March 24th in 2006. She will show authors how to put together a promotion package that will first sell their books to agents or publishers and later to the public at large.

Carolyn and book publicist Darlene Marsh will be speaking to the Book Publicists of Southern California on August 11th at the Sportsman's Lodge in Encino, Ca. Make reservations or learn more by sending an e-mail to Irwin Zucker.

My short story "The Work" will appear in an upcoming issue of The Nashwaak Review.

Gordon Neufeld

Freelance writer Roberta Beach Jacobson of Karpathos, Greece, has a short article in the current (July) issue of Freelance Writer's Report, a print newsletter (from www.writers-editors.com). This is Roberta's fifth sale to this monthly publication.
I'd like to promote the announcement of The Inaugural Issue of the brand new print chapbook A Flasher's Dozen. I had the pleasure of working with the two editors (Ken and Sandra) on the original Trial Issue and was delightfully surprised at the outstanding quality of their treatment of this fledgling scribbler.

A Flasher's Dozen is a 20-30 page chapbook containing 13-15 pieces of Flash Fiction (ranging from 55 word narratives to 999) published quarterly.

I highly recommend anyone interested visit their blog address or e-mail for subscription and submission information.

Will Naylor

The MuseItUp Club received this week the Preditors and Editors Most Useful Writing Site Award.

Lea Schizas

I have just heard from J. Alan Erwine at The Martian Wave (published by Sam's Dot Publishing). My story "Mare Mortis" was voted best of issue and will be published in an anthology next year.

Gail Kavanagh

Midwest Book Review announces that Connie Gotsch will have her own review listing starting in July 2004. Drop by Connie's Book Shelf by going to the main site and clicking on Book Reviewer's Index. After that, click on Connie's Shelf.

 

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Book Reviews 

 

Fear of Writing: For Writers and Closet Writers 

by Milli Thornton

Word Nerd Press, 1999

ISBN: 1591098181


Reviewed by Carolyn Howard-Johnson

buy the book $13.99

Inspiration in a How-To Book: Milli Thornton to a Writer's Rescue

So, you're a writer. Maybe you have trouble admitting it at a party. Or to yourself. Maybe you don't feel like a writer because a bad case of "the block" has got you. Milli Thornton's Fear of Writing to the rescue!

There simply is no way a writer can read this book without stumbling over a reflection of themselves somewhere in its pages. No way one could come away from it without improving her image of herself as a writer, without some new ideas to write about, and without actually doing some writing.

If you are so blocked that you don't believe this, Milli Thornton will take care of that. Her exuberance - her pure force of will - will see to it not only that you read Fear of Writing but that you also read it right. That is, you must pause to do the exercises which she calls (aptly) "fertile material." And if you but think of sitting back on your laurels for having gone this far, her enthusiasm will propel you forward.

This book is not a big book in size. However, it will consume you and consume some time as well. The author advises that you read it during the daytime when you can write, not before bed when your natural tendency to snooze might interfere with your resolve. Be assured, though, nothing will interfere with Milli's determination. She will make you into an active writer and probably a better writer. All you must do is give her a chance.

I give this book a five star rating. I believe in rating a book on content. Rating one any other way is rather like judging a book by its cover or by the press on which it was printed. To be sure, this little book could use some sprucing up in its next edition. Please don't wait to read it until then. Put aside a writer's natural tendency to stall over formatting or other details and dig in. Milli Thornton's book is not about the fine art of making a beautiful book, it's about the special art of vibrant writing - something she knows much about.

#

ABOUT THE REVIEWER: Carolyn Howard-Johnson’s first novel, This is the Place, is the winner of eight awards. Her second, Harkening, won the Red Sky Press Award and two others. She admits to loving PR almost as much as writing, and her book The Frugal Book Promoter: How to Do What Your Publisher Won’t won USA Book News' "Best Professional Book 2004."

 

Book Marketing from A-Z 

by Francine Silverman

Infinity Publishing, 2005

ISBN: 0741424312


Reviewed by Betty Dobson

This is not a book to be read once, no matter how thoroughly, then set aside in favour of the next volume of writing on writing.

Rather, you should keep your copy handy and refer to it as you would an encyclopaedia or The Chicago Manual of Style. Read those sections that pertain most directly to where you are as a writer - and where you would like to be next. This book covers a multitude of diverse marketing approaches, from book signings to viral marketing, and applies to any genre you're trying to sell.

I see a lot of familiar names in these pages, including Rick Magers, Cheryl Wright, C. Hope Clark, Lillie Ammann, Mary Emma Allen, Dotsie Bregel, Peter Bowerman, Katherine Gibson, and our own William Rieser and Carolyn Howard-Johnson. I've worked with most of these people before, in one form or another - or hope to do so in the future.

Among the many writers and editors whose advice seeps from the pages of Book Marketing From A-Z, there are doubtless many whom you will know as well. That's the beauty of having so many experienced hands 

Who better to guide any of us than those whose careers we admire and who can honestly say, "Been there, done that"?

 

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Interview

This month, Canadian writer M.E. Wood steps into the spotlight and shares her experiences and views.

Moe oversees the Book in a Week list at YahooGroups and publishes the monthly newsletter WordBeats. She also hosts two columns with BellaOnline.com: Large and Lovely and Literary Fiction. 

What motivated you to start writing? 
I was a creative child. I always loved writing, drawing or painting, but it wasn't until about nine years ago when I came across some old high school papers with teacher comments. Specifically, "Wow, you can really write." Something about seeing those words at that particular moment hit home for me. So I began writing poetry and short stories again. The more I became involved in the Internet, the more I could see what others were doing the more I was motivated.

What is the primary source of inspiration for you? 
What's inspiration really? It's just a sparkly, frilly word. I like to daydream. I grew up in a single child family and had to entertain myself with my toys, TV, and my imagination. Images are constantly running through my head, usually when I'm busy doing ten other things. Every now and then I reach out and grab one of them.

Do you write when the muse strikes, or do you follow a writing schedule? Please describe your process. 
I used to work on a 1,000-word-a-day schedule, now it's, "OK I can fit some time in here." I'm a great procrastinator. I do think it's important to find what works for you and be consistent. Deadlines are my friend or else I fear I'd never get anything done. For fiction writing I'm a free writer. I may start off with an idea and a few notes but I let my mind take me where it wants to go. For non-fiction writing, I have an idea, may free write a bit on the topic and what I think I know then research any areas I'm unsure of. I rewrite a lot.

What have you done to promote yourself as a writer? What's left to do?
I have had a website for something like eight or nine years. I strongly believe in having your own website and domain name without those silly ads at the top.

I belong to numerous online groups for various things. I join a group because I like what it has to offer and to learn something about the topic, not because I see it as a promotion opportunity. The promotion is just a bonus of the group. One of my biggest peeves are people who join groups and the only time they post is to promote themselves. Signature lines are your friends, people! Meeting and networking with other writers and non-writers is the best.

I write for a number of newsletters. Anywhere your writing appears is a promotion, although I'm not a big fan of sites that ask you to write for free. That's a use-use scenario I don't agree with. If they claim to offer so much exposure then they'd have advertisers and could pay or offer you something other than a by-line. Each situation has to be reviewed separately.

One of the things I believe in is supporting one another. If I see something somewhere I think might be of interest or help another writer, I make a point of forwarding it to them. I hope they'd do the same for me.

When did you discover your unique voice? How long did the process take? 
I don't feel I have a unique voice. Because I have many interests and have always been quite eclectic in nature, I find my voice is the same. I guess that in itself could represent my 'unique' voice. Also, because I write in many different forms, I find it changes to suit. I have to admit to being a bit edgy and direct. I'm still discovering myself.

How well do your non-writing activities, e.g. running Book in a Week and publishing WordBeats, mesh with being a writer? 
I really don't consider these to be non-writing activities. They are my connection to other writers and the writing world. We learn from one another, and I believe that in helping others you help yourself. Doing these forces me to be an active participant instead of hiding on the sidelines.

What do you consider your greatest achievement as a writer? 
You're going to laugh, but it was when my poem "Jaded Life" was published. Even now I read it and can't believe I wrote it or that someone paid me $50 so others could read it. It was one of those out of body experiences I've seldom felt when writing. I'm very proud of that piece.

What's the most recent book you read? 
Since I review books for different venues, I have to read a lot (but still not as much as I'd like). Recently, Fat! So? by Marilynn Mann and The Good Girl's Guide to Murder by Susan McBride. I have the hots for Susan McBride this year. I simply loved her first book in the Debutante Dropout Mystery series, Blue Blood. I'm getting ready to read Fat Girl: a true story by Judith Moore and Innocence: a novel by Kathleen Tessaro (another author I love). When I need a break from 'work reading' I like to indulge in Janet Evanovich's Plum series. I can absorb one of her books in a few evenings and feel reenergized. Number 10 just came out this week so I'll be picking one up for a breather.

Who are the writers you admire most? 
That's easy, Janet Evanovich, Stephen King, Ursula Leguin, and Di Brandt. Told you I'm eclectic. I also admire, really admire all the writers in my book-in-a-week group. I've known a few of them for a number of years, and they never cease to amaze and enlighten me with their experience and sharing capacity.

What's your best piece of advice for novice writers? 
The power of three: 1. Don't give up. Even when you feel like you're not getting anywhere. 2. Submit, submit, submit. It may take 50 submissions (maybe not) before you get that one acceptance letter. It's worth it. 3. While you're submitting, it's important to keep writing new material.

Is there anything else you'd like to add? 
I'm a very self conscious person and found it hard writing about myself; particularly knowing it will be read by other writers. What could I possibly share? I've come a long way since I started, but I still have so much to accomplish. This has definitely been a good writing and learning exercise for me. And if even one person benefits then it was worth stretching myself to do it.

If anyone is so inclined they can drop by my websites: http://literaryfiction.bellaonline.com

http://largeandlovely.bellaonline.com

http://www.book-in-a-week.com

http://www.m-e-wood.com

 

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Online Resources 

by Toddie Downs

There are few things to equal the frustration of thinking of potential markets for your work, finding their websites, and searching in vain for their writers' guidelines. You look under "Contact Us" - nothing. You click on "About Us" - zilch. You bang your head on the computer keyboard - you get an Error message.

Fortunately, there are some online sources that have done the scutwork for us writers and posted lists of links to hundreds of writers' guidelines, leaving us the more satisfying work of creating masterpieces to offer these markets.

Towse's Links to Online Submission Guidelines

This collection provides links not only to paying markets and low-paying markets, but also agents and publishers. A very thorough listing.

Writers Write
This collection contains 655 markets and has the helpful options of searching for markets by category as well as in a search database.

Freelance Writing
This collection also contains links to guidelines by category and has a search function. It additionally has subcategories of "What's New" and "What's Cool."

Writing for Dollars
Dan Case's website has a database with 1,270 markets listed. It helps to have a specific market in mind, however, for the site does not provide a general listing.

As always, it pays to do a little fact checking. In the case where the link to online guidelines is given, you might be able to trust its veracity a little more than in cases where the guidelines have been listed on the index's own site, for unless there's information on when the page was last updated, you could be looking at outdated stuff. In the final analysis, though, these indexes and others have kept me from recreating the wheel in finding submission guidelines, and saved my computer keyboard from the repeated impact of my head.

 

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Write Advice

Each month, a guest writer shares tips on succeeding in the writing business.

Big Fat Liar
by Mary Cook

Most writing is nothing but a pack of lies. And writers are just big fat liars.

"Spin", fiction, and artistic truth are essential to the writer's toolbox. While stringing words together may be regarded as a craft, lying is an art form. And just the hint of a lie can lift writing off the page and into the realm of credibility.

Take copywriting, for instance. You need to get a message across in the way that makes for painless reading. In order to do that, the writer needs to understand that there's more than one kind of truth.

There are lies and there's artistic license. Artistic truth has nothing to do with mere fact: it's a lie wrapped in pretty paper.

And then there's journalistic spin - another kind of lie. That's where the writer collects together little bits of the truth, accentuating the positive. Eliminate the negative and there you have a big, fat, comforting lie.

A liar needs a good memory. In fiction writing it's needed to juggle characters and events.

Fiction is all lies. The writer must convince himself they're the truth if he wants his reader to believe in them. Tell it the way it is? Where's the fun in that? It's far better to be a big fat liar. But never present facts that aren't accurate.

The fiction writer can get away with swearing black is white. Well, of course it is, have you never heard of paint? That's what your words are: just paint.

I was walking down the street.

Well - no I wasn't, I was a passenger in a car. But if I had been walking, I'd have witnessed those people breaking into the jeweller's shop.

All right, it wasn't a jeweller's shop, it was a bakery. And I didn't see it myself, I read about it in the local paper. All right, perhaps it didn't happen like that, but it could have, couldn't it?

I was getting out of bed when a hand grabbed my foot.

In fact my foot had just got caught in the sheet, but it felt like a hand reaching out. It was scaly, leathery, slimy, hot, freezing.

Harness the what-ifs and make them do your bidding. Bend your theories to fit the facts. And if truth is duller than fiction, don't tell it the way it is, tell it how you think it should be.

Wouldn't you sooner be kicked by a giraffe than by a seaside donkey? All right, I'll rephrase that. Wouldn't you sooner have people believe you'd been kicked by a giraffe than by a seaside donkey?

Don't let anyone tell you it's a sin to tell a lie. Lie through your teeth and any other part of your anatomy you can think of. The ability to lie convincingly is the writer's greatest asset. Develop it assiduously!

#

ABOUT THE AUTHOR: Mary Cook is a UK-based freelance writer and former newspaper reporter. Her articles, short stories, and poems have appeared in numerous publications, both in print and online, including Writer's Weekly, Writing-World, WriteSuccess, Writing for Dollars, Funds for Writers, Writelink, Brady Magazine, Freelance Writing and Photography, and Writers' Forum. Her main writing interests are humour, horror, self-sufficient living, and the craft and business of writing.

 

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Letters to the Editor

 

This is your chance to provide feedback on the newsletter. Tell us what you did and didn't like. Make suggestions for future issues. 

We want to hear from you.

InkSpotter News

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Hey, girl. I love it. Thank you so much for including [my review of Bird by Bird]. Bet LaMott will love it, too! 

Carolyn Howard-Johnson

What did you think of this month's issue?

 

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Announcements

July/August Contest: Baby boomer women are invited to submit a story about your favourite childhood vacation memory. See our Writing Guidelines before entering. The winner’s story will be added to Our Voices. The winner will also receive a Friends Heal Friends tee shirt and a copy of Over 100 FAQs Women Asked About Writing from NAWW. 
Deadline: August 20th 
Submit Stories To: dots@boomerwomenspeak.com

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Georgia Richardson, Queen Jaw Jaw, the Queen of Experiences, is calling all humour writers and people who love laughing to join her in the Featured Author forum at Boomer Women Speak during the month of July. She's gabbing about her new book A Funny Thing Happened on the Way to the Throne. When asked if the stories were true, the Queen said, "Sure they are, honey! You know I would rather walk on my lips that tell a lie, right?" Check it out. She's also having a trivia contest with prizes while she is there!

 

        

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InkSpotter Publishing
Finding the Right Words
Last modified:
03 Feb 2010

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